DRAWING / PERFORMANCE / TEXT2015–2025

ETYM
DRAWINGS

Language is translated into movement and line. The artist establishes the conditions; oscillation, gravity and rhythm determine the trace.

Etymdrawings installation view at MAERZ in Linz
etymdrawings · installation view · MAERZ, Linz · 2015Photo: Gerlinde Miesenböck

LANGUAGE
BECOMES TRACE

Etymdrawings are based on entries from Toni Kleinlercher's travel diary Eiweißschaum aus allen Pornotoren. The text uses intralingual substitutions developed in response to Michel Leiris's Glossaire j'y serre mes gloses and to the concept of the “etym”.

Rather than guiding the drawing instrument directly by hand, Kleinlercher suspends a pen, pencil or brush from a cord. He sets the construction in motion while concentrating on the rhythm of the spoken diary entry. Oscillation, gravity and the material resistance of the instrument determine the resulting marks.

The drawings operate as transpositions of text into another form of notation. By inserting distance between hand and line, the artist withdraws individual handwriting without surrendering the work entirely to chance.

INSTALLATION / MAERZ / 2015

A FIELD OF
21 DRAWINGS

Central group of twenty-one Etymdrawings at MAERZ
etymdrawings · installation view · MAERZ, Linz · 2015Photo: Gerlinde Miesenböck
Three text sources installed beside the Etymdrawings
etymdrawings · installation view · MAERZ, Linz · 2015Photo: Gerlinde Miesenböck
Etymdrawings and related work in the MAERZ exhibition space
etymdrawings · installation view · MAERZ, Linz · 2015Photo: Gerlinde Miesenböck
Installation view of Etymdrawings at MAERZ
etymdrawings · installation view · MAERZ, Linz · 2015Photo: Gerlinde Miesenböck
SELECTED DETAILS

LINES AS
ANOTHER SCRIPT

Etymdrawing, selected work 02
etymdrawings · selected work
Etymdrawing, selected work 03
etymdrawings · selected work
Etymdrawing, selected work 04
etymdrawings · selected work
Etymdrawing, selected work 05
etymdrawings · selected work
CRITICAL RESPONSE

CONDITIONS
FOR A TRACE

In his opening address for the 2015 exhibition, writer Christian Steinbacher situated the works within Kleinlercher's long-standing engagement with procedural transformation. The drawing instrument is not guided directly. Instead, the artist establishes a situation in which speech, motion and material produce a trace whose precise form remains open.

The work connects travel, diary writing, linguistic substitution, performance and drawing. What began as a journey and its textual record returns years later as a field of suspended, seismographic lines.

Edited summary after Christian Steinbacher, opening address for etymdrawings, MAERZ, 8 August 2015.

SELECTED EXHIBITIONS

THE WORK
IN SPACE

2015

etymdrawings, MAERZ – Vereinigung von Künstlerinnen und Künstlern, Linz, Austria ↗

2022

ZEICHEN | WORTE | KÖRPER, Kulturschloss Reichenau, Reichenau an der Rax, Austria

2025

etymdrawing, G.A.S. – station, Tankstelle für Kunst und Impuls, Berlin, Germany

TITLE

etymdrawings

WORK

Drawing series and performative process

MATERIAL

Ink, pencil and brush on paper; suspended drawing instruments; spoken text

SOURCE

Eiweißschaum aus allen Pornotoren, travel diary by Toni Kleinlercher

YEARS

2015–2025